WINDS WOULD
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WINDS WOULD
1. While the beginning ensemble plays its songs, the flute thinks how fabulous it's
going to sound one day, until it remembers how much it's going to have to practice its
scales first.
2. In a conversation with the bassoon and flute, the oboe says something it shouldn't
have. The bassoon and flute run and tell the clarinet and horn an elaborate version of
what the oboe said. The clarinet and horn are quite upset. The oboe regrets having
said anything.
3. The members of the woodwind quintet join together to play a hymn, but individually
each instrument is preoccupied with its own thoughts and feelings.
4. The french horn tells some knock-knock jokes to its colleagues. Most of the wind
instruments find the jokes quite funny, particularly the bassoon, who laughs
uncontrollably at the second one. Only the flute doesn't get the jokes.
5. Before the start of the annual sub-regional conference kick-off meeting of WONA
(Woodwinds of North America),the delegates feel ill at ease and resort to
name-dropping, as they keep on eating the refreshments.
6. The members of the quintet put on a short play, in which the clarinet plays the part
of the woman in a cave, the bassoon plays the dragon who has trapped her, the flute
plays the silver bird who is sent for help, the french horn plays the volunteer fireman
who rescues her, and the oboe is the theater critic for the local newspaper.
7. Walking through what it perceives to be just another gray and faceless sea of wind
instruments, the clarinet gives vent to its anguish. But then it has a revelation of how
beautiful these other winds really are, and joyfully takes part in their music.
performed by
The Cumberland Quintet
narration & music by William Vollinger ©2002
The composer encouraging the statues in the breadline to enter the door.
based upon
George Segal’s
sculpture
“Breadline”
displayed
(and performed) at
Hamilton, NJ
performed by
Engle Winds
As if paying homage to sculptor George Segal, the flute, oboe, clarinet, french horn and bassoon wait in line
like five statues, gray and motionless, waiting for the door to open. Being woodwinds even more than being
statues, they breathe and sigh, longing for that door to open. Then it does! They walk through to the other
side, where we cannot see, although we sure hear them, as they find something that makes them more happy
than they could ever ask or think, until they become something more than statues, or even woodwinds.
BREADLINE (AN alternatE ending)